I could talk at length about how the SW-218 is the loudest, most powerful sub with the most low-end I’ve ever heard. How I have seen them subjected to unthinkable abuse that has easily destroyed many lesser subs. How its tight hyper-cardioid pattern has made life easier on gigs when a stack of them has been parked right next to the monitor position. But all these factors are really secondary to the most important question: How does it sound??

When it comes right down to it, that’s what is going to make or break your mix. I have heard subs that have impressive output, but they just bark and distort when you really push them hard. I’ve had to fight with subs that have a very limited frequency response which leaves you with holes in the low-end of your mix. Still others that have a good frequency response and sound very clean, but their output just doesn’t keep up. I have pushed the SW-218 to ridiculous levels and even when the amp is being starved for power and any other sub would shred its drivers to pieces, the SW-218 is still producing perfectly clean tones with no distortion. I have used the SW-218 on a huge variety of gigs and it always allows me to put the emphasis in my kick wherever I want it. From 20Hz(Yes I said 20Hz) to 200Hz, the SW-218 delivers it all with even response and perfectly clean tone.

I have had the pleasure of working with the “SW-218” on a variety of occasions, often in conjunction with the L’Acoustic SB218. Most notably, the ultra low frequency radiating from these subs is impeccable. In addition to its unprecedented sound quality, it has also rendered tedious traditional practices obsolete. Protecting one’s sub is no longer necessary as a result of the innovative technology of the“SW-218.”

At high demanding low frequency levels, the “SW-218” boastfully maintains its flawless clarity, while inferior subs reach peak SPL at low frequencies compounded by distortion. This feature is particularly impressive during live shows where low frequency outputs can be immensely difficult to achieve.

These things f#*@&g rock! You can’t blow em up. (And a few fools did try!) Consistant tone and LF coverage from show to show. Pant leg
flapping output. Lightweight and Truck pack friendly. Plays well with others…